Friday, April 13, 2018

Smartboard Games!

Okay. I'm the first Luddite to say that kids are oversaturated with technology - I'm worried about the long-term repercussions of tons of screen time and individualized devices, I hate when young kids are stuck completing online remediation when their peers get to do an enrichment activity.

However. SMARTBOARD GAMES. Y'all. Get on board. Creating themed, standards-aligned Smartboard games is one of my favorite things. (Along with raindrops on roses and smashing the kyriarchy.)

I've done this throughout the year, and last, but this past unit - Hábitats - seemed like a great way to showcase a few different types of games: counting, sorting, and syllable segmentation.

 First: la tundra. This was obviously a teacher-mediated activity - for the most part, my students don't know numerals yet - but a very fun one. The penguin on the iceberg is an "Infinite Clone," which means that each time students try to move it another penguin appears. That way each student could slide the penguin down the iceberg, plop them in the water, and count with the group. I would move the corresponding numeral in the "Hay _______ pingüinos" space.

Next was la Selva, and definitely my favorite game - at least aesthetically speaking! This was introduced in large group and then became an independent play option during centers. Students touch one of the orchids, which I programmed to say the name of the bird segmented into syllables: "quet-zal," "tu-cán," o "co-li-brí." They would then fly the corresponding bird over to its flower.

This next one is a simplified (for independent play) version of los pingüinos. Like in the tundra game, the scallop shell is an "Infinite Clone." So, as students touch the original and move the clones, the beach quickly fills with shells. Students can count the resulting number.

  For this last one, I was so totally thrilled with my littles. They could do it! Sure, it was the culminating week of a six-week study, we had a corresponding book I had created that we read and they got personal copies to illustrate and annotate at home, and students practiced by playing with the same animals in their individual habitats on previous Smartboard Notebook pages... but still! I was mad impressed. They chided the creatures, saying things like "Tenemos que ayudarte" y "Ay, no, estrella de mar, tú no perteneces allí" y "¡Chango, vete a la selva!"

I couldn't recommend it more highly. It is ESPECIALLY cool because there is an app for iPads wherein you can download the Smartboard Notebook technology - for free! So, if I want to do a small group / one-on-one session with any of these games, I just throw it in my DropBox, move it over, and open it on my tablet. ¡Precioso!

Hasta pronto ~

**And as a note, I hope to upload my games on the Smartboard Exchange; the website was having trouble the time I tried it, so I'll have to attempt again. Until then, I am happy to share any of these games! Claro que compartiré cualquier de estoso juegos, si alguien tiene interés.**

Tuesday, April 10, 2018

Historias del Juego: LET THEM PLAY!

My afternoon class is, in a word, tremenda. (Es un salón de diéciseis niños de tres añitos.) There are hitters and screamers and biters, and about four classroom-circuit sprinters. For storytime circle, I divide the class into two or three homogeneous groupings and pull them during play time. Whole group is... well, it's utter chaos. As there are at least three children who need one-on-one assistance at any given time, it's simply not tenable. (A whole other post is how I am trying to stop imposing my prideful adult will of "what they should do" onto them; they are showing me very clearly where they are, and how they work best. )

The one time we do a full storytime + activity circle a week is when we have our fabulous SLP and OT in the class with us for half an hour. With four adults, it's almost close to manageable. A couple of weeks ago, after such a circle of kids rolling around and chewing on their shoes and jumping on chairs, we went outside and then came in for centers play.

And this selfsame group of kids transformed. Esos traviesos se transformaron. I took the following pictures within seven minutes. (Please marvel at their sophistication of play, their wonderful imaginations, and my ability to avoid faces.)



V. was pretending to text with an old cellphone. She also was singing to her baby, whom I helped 'swaddle' in a ripped skirt. She later joined friends at the table and they had a tea party with plastic sandwiches and very real water.


These two boys, B. & Y., were doing what they do every choice time -- engaging in elaborate dollhouse play. The dolls have names, go about their day (including fighting frequently with large snakes who invade their parlor), and they have excellent interior design skills.


Here are the magnatile engineers! There were steeples and hexagons and six-pointed stars; when the afternoon sun pours through the window, the students watch how the light seeps through the colored shapes.



Here are two of my girls, Y. and A., listening to New Mexican music and dancing up a storm. Y. has a pirate vest and top on, A. has Princess Jasmine pants and a bouquet of poppies, and they are dipping and swinging each other.



X. is quite the artist. Making Valentines was so popular that I left a bin of hearts and stickers, and they're still in heavy rotation. Note especially the pre-writing at the top and the beveled edges. 




And last, but certainly not least, here are my entomologists! X. and D. As they reported: "Somos esposos y estamos estudiando estos insectitos y arañas."







This is how kids learn. Full stop.
Así aprenden los niños. Y ya.

Types of play: all 16. (exceptions perhaps for Mastery Play and Deep Play)

Hasta pronto ~


Friday, March 30, 2018

Educational "Reform": An Aside

Hello, All!
Please don't despair; I have an absolutely charming "Historias del Juego" in the works, as well as a fun reflection on preschool level informational texts. However, I'm also taking a Critical Pedagogy course as part of my Masters on Bilingual Education. We have to write weekly mini-analyses, and I thought, "Why not double dip?" So I may be posting more asides... but I thought it best to begin with this one, as it seems particularly currently relevant. Also, the culturally-responsive pedagogy references are EXCELLENT.


As noted by Fullan (2015), teachers engage in “thousands of small innovations” every single day based upon our contexts and the needs of our students. What began as collaborative reshaping of curricula in concert with our peers, however, has become a money-driven enterprise known variously as educational reform, the innovation paradigm, or yet another influence of corporate neoliberalism. The emphasis of program over professional, argues Giroux, means that teachers are increasingly identified as skilled technicians of marketable product rather than as “transformative intellectuals” (2009). Rather than focusing efforts and capital on teacher-driven research specific to our communities, or to debugging national programs to fit our specific needs (Fullan, 2015), “neoliberal reforms that purport to address
racialized achievement gaps treat racism and culture as if they do not exist” (Sleeter, 2011, p. 8).

Baker’s “Overcome the Four Barriers to Change” (2008) is a manifesto of such corporate ideology. What looks like cheery self help on the surface has damaging ramifications. To become the “CEO of your life,” for instance, he argues you have only to disregard your “labels.” This is erasure of identity and negates the fact that people are labeled and discriminated against regardless of how they personally choose to identify. His opening thesis is that the opposite of growth is death – if you aren’t growing and changing, you’re dying! In order for success, find the good in every new change! This sort of mentality creates passive and obedient workers – rather than critical thinkers – and it presupposes that those in positions of decision-making are changing things for the better. We have only to change ourselves to fit their structure of power.

Whether we’re teachers or students, that mentality is very dangerous. Instead of being trained to obey prescriptive, market-driven mandates, we must assume our own autonomy and value as described by Giroux’s vision for critical pedagogy. Critical pedagogy “reinforces the notion that public schools are democratic public spheres, education is the foundation for any working democracy, and teachers are the most responsible agents for fostering that education” (Giroux, 2011, pg. 495).

All this is not to say that reform is bad. Change is essential to every environment. The changes, however, in order to have efficacy and power in the long-term, must be specific to and driven from within the community. As noted by Sleeter, utilizing culturally responsive pedagogy (CRP) – which is closely tied with critical pedagogy – is a reform that both honors student identities and yields higher standardized achievement (2011). Morrison, Robbins, and Rose (2008) outline twelve actions (or “reforms”) that are encompassed by culturally responsive pedagogy. (As a side note, only one of these actions includes the cultural celebrations that so frequently stand in as the entirety of CRP.)

None of these actions, nor those suggested by Giroux, have marketable, “teacher-proof” curricula attached to them – they rely on educator knowledge, collaboration, and care. As Fullan (2015) notes, “controversial material, which might form the very basis of addressing some of the social goals of education (e.g., in social studies curriculum), is less likely to be developed.” It is therefore our job to research and create curricula, and enact reforms that are appropriate to our context. Given the current institutional climate, it is also imperative for us to demand the autonomy to be allowed to do so in the public schools.

In order to enact such reforms, we must utilize a “combination of tightly coupled culture, ‘around clear and explicit themes representing the core of the school's culture,’ and of loosely coupled structure” (Boyd, 1992). In this way, teachers can address themes that we have determined to be important to our mission – but we can do so in ways that make sense to us. As well as having richer results, the buy-in is exponentially higher. Unfortunately, it is currently the norm to impose generic reforms upon a staff. Even if the concept of such a program is good, it will need to have the approval of and adaptation by educators; otherwise, it will fail. 

Any successful reform must also take time. A reform developed by staff must be continually examined and altered for efficacy and relevance; one proposed by an administrator or district must be vetted, adapted, and approved by the staff. Boyd notes that any change-maker, such as an administrator, must also take time and care to learn the mythology and social history of the school. What is the informal network like; what are the legends of the school and who are its gossips, spies, and soothsayers (1992)?

This speaks intimately to my experience at my school this year. We have a new administrator and a state-mandated program that have instituted many reforms to our practice. These include a STEM curriculum, a state-wide verification process, a streamlined approach to scheduling and conducting IEPs, and daily phonics drills with “Fundations.” None of these changes are bad in that all have positive aspects. However, many of our staff members, myself included, have suffered substantial feelings of disillusionment and inefficacy. I posit that these feelings are not what Baker (2008) would call being “narrow and self-centered victims of change,” though those accusations have been leveled at us. Instead, I believe these reforms, though inherently positive, have been inappropriately instituted.

The administrator and state program both have been negligent on the accounts of time and of honoring our school’s informal networks. Changes are told to us, rather than our staff collaborating to create them, and they are expected to be instituted immediately; rather than our staff collaborating to modify and better the programs together, any alterations to the reform must be done “under the table.” My one small victory was that I flat-out refused to implement an English language letter-sound correspondence program (Fundations) with my Spanish-speaking three-year-olds. By standing my ground, I am able to use a self-adapted version of Estrellita instead (the Spanish language equivalent).

Our former administrator was exemplary at knowing and participating in our school’s “mythology,” and the reforms she proposed were bound by slow, collaborative timelines that ensured success and staff approval. The fact that she was removed by the district after a (literal) 100% approval rating from school staff, and replaced by a former district supervisor, is important to know. The fact that the administrator before her was incompetent and racist, meaning that we were used to essentially running the school, is important to know. The times we have rallied around our students, staff, and community when they were in times of crisis are of vital importance to know. I doubt our current administrator knows all of this; she didn’t take the time to find out, and certainly does not honor our experiences and informal networks as a school community. As a result, programs meant to better our school, through lack of time and care and shared governance, have fractured its culture.

To heal these wounds, we do not need to conform to a structure created without our input. We must eschew the blind adoption of market-driven reforms and continue to research, implement, and better our own reforms that work for our own specific contexts. We, as teachers and students, need to demand a systems restructuring around our ideas, histories, and identities – and we need to do it on every level of education.  

Resources

Baker, J. (2008). “Overcome the Four Barriers to Change.” RIS Media. Retrieved from
Boyd, V. (1992). “Creating a Context for Change.” Issues… About Change 2(2). Retrieved from
Fullan, M. (2015). The New Meaning of Educational Change (Fifth Edition). United States: Teachers
College Press.
Giroux, H. (2014). “When Schools Become Dead Zones of the Imagination: a critical pedagogy
manifesto.” Policy Futures in Education 12(4). Retrieved from http://journals.sagepub.com/doi/pdf/10.2304/pfie.2014.12.4.491.
Giroux, H. (2011). “Teachers as Transformative Intellectuals.” Kaleidoscope: Contemporary and Classic
Readings in Education, ed. Ryan, K., and Cooper, J.
Morrison, K., Robbins, H., and Rose, D. (2008). “Operationalizing Culturally Relevant Pedagogy: A
Synthesis of Classroom-Based Research.” Equity & Excellence in Education 41 (4), 433-452.
Sleeter, C. (2011). “An agenda to strengthen culturally responsive pedagogy.” English Teaching: Practice
and Critique 10(2). Retrieved from http://education.waikato.ac.nz/research/files/etpc/files/
2011v10n2art1.pdf.

Thanks for reading! Here's a fabulous watercolor portrait done by one of my students to thank you for your attention. 

Hasta pronto ~

Friday, February 23, 2018

Grace and Giraffes

(So... it's been a year and two days since I've last posted. Do forgive.)


Since January 27, it's been on my to-do list to revive this blog. SO, though my time is perhaps better spent creating a unit plan for our Habitats study, or adapting our book for next week (it's Alexander Calder and mobiles!), or or or -- I'm going to write briefly about an idea that has been knocking around in my head. 

About a month ago, our bilingual theater, Teatro Paraguas, hosted Albuquerque-based Working Classroom and their production of Blank Historias. The first part of Blank Historias was storytelling -- the audience picked a theme, and then we were free to come up and speak for five minutes at a time about it. The ensemble of actors, made up of school-age students, listened closely and took notes. Then, after a 10-minute 'intermission' of sorts, they presented a gestural, imagistic piece of performance art. There were cell phones and lit up exercise balls and toy cars and fabric that turned into the sea. It was pretty inspired, and beautifully rendered. The experience was made even more powerful by the fact that one of my student's grandparents were there - another granddaughter was a performer that night.

Our topic was "overcoming adversity." As I listened to inspiring stories about moving across the country and eating well and taking on leadership positions, a thought came to me: We cannot overcome adversity without the grace of others.

I had been having a really hard week. Heck, I've had a hard year - due to my friend and colleague quitting in November, there was suddenly a vacancy in the Spanish-language 3-year-old class. I had been teaching a bilingual medically-fragile classroom, but the new teacher hired was not Spanish-speaking. So, I was moved classrooms and positions, my medically-fragile English speakers stayed in my old classroom, my 4-year-olds were shipped off to the 4Y classrooms, and the 3Y Spanish-speakers moved with me.  Disruptive is an understatement. Perhaps you understand the extended radio silence? I had to rely so heavily on my friends and family (you know who you are and thank you) -- and also on the small moments of beauty and kindness that I had to fight to see some days.

Anyway, I was struggling to feel anything more than a kitten with its claws stuck on the screen, anything more than keeping my nose barely above the current. (I still have days like this.) I didn't feel very prepared to speak about overcoming adversity.

So I talked about my kids, and how they overcome adversity every day. I got up on stage, and alternating between English and Spanish, I talked about my wild and wonderful littles. "Como que hacen todas las maestras, voy a robar las historias de mis estudiantes. Empezaré con el concepto de que no podemos superar la adversidad sin la gracia de los demás."

As I'm wont to do, I meandered conversationally through a few anecdotes -- but I had been really moved, I realized, by something I had seen that day in our indoor play gym area (called "Choices"). A student of mine was playing in Choices in the little play store. She has Down Syndrome, and is just beginning to engage in cooperative play. A year ago, she couldn't walk. So we were both excited about her play schema. She was hawking her wares, shuffling around pots and pans and pulling money out of the cash register.

A friend of hers came over. This kid. This kid creates fabulous dramatic play sequences as a magical dog; he's curious about everything; he's precise, observant, and just generally advanced for his age. He surveyed the contents of the store, greeted his friend, and asked "¿Me das la jirafa, por favor?" Indeed, there was a giraffe puppet on one of the shelves.

This gave the little girl pause. She didn't understand "jirafa" yet. But she wanted so badly to do this transaction thing right. She looked around, said "sí," and handed him -- a plastic toaster.  It was his turn to take a moment; he studied the toaster, studied her, and gave another glance at the out-of-reach giraffe. Then he smiled. "Muchas gracias, amiga." And he went on his way.

To overcome adversity, we all need the grace of others.




Hasta pronto ~